Connie Ferguson, one of South Africa’s most celebrated actresses and producers, is once again placing Mzansi on the global entertainment map with the much-anticipated Kings of Joburg Season 3. The Netflix original, which first premiered in 2020, has grown to become a flagship of South African action-drama storytelling. As executive producer and star, Connie Ferguson is not only pushing creative boundaries but also redefining what African productions can achieve on a global stage.
In a recent interview, Ferguson revealed her excitement and ambition for the upcoming season. “There was only one objective [with Season 3], it was to outdo Season 1 and Season 2,” she said. “We had exceptional seasons, but this is our third. We had a lot of learnings from the first two, and now we had to come back and show exactly what the Kings of Joburg are made of.”
Connie Ferguson on the Evolution of Kings of Joburg
Season 3 promises to be bolder, more dynamic, and intensely gripping. According to Connie Ferguson, fans should brace themselves for an unexpected rollercoaster of adrenaline and emotion. “Based on the first two seasons, you guys think you know what to expect, but trust me, you do not know what’s coming,” she teased. “It’s an all-round entertaining and adrenaline rush type of show, something that you’ve never seen before in SA.”
This season builds on the series’ foundation of brotherhood, power struggles, mysticism, and the gritty realities of the underworld. But it’s the international flair and cinematic ambition that sets it apart from its predecessors—and much of local television.
Also Read: Tottenham Appoints Thomas Frank as New Manager Following Postecoglou Exit
Ferguson Films: A Global Mission Rooted in South Africa
At the heart of this powerful narrative is Ferguson Films, the production company co-founded by Connie and her late husband, Shona Ferguson. Over the years, the company has been a driving force in South African television, producing numerous local hits. But Kings of Joburg is more than just another show—it’s a vehicle for cultural export.
“We created Kings of Joburg with a bigger picture in mind,” Connie explained. “We didn’t just want to focus locally. We sat with producer Samad Davis and talked about taking SA to the continent and to the world, and bringing the world to SA. I believe that’s exactly what we did with this show.”
The commitment to international storytelling is evident in the show’s diverse cast and production team. American actress and director Terri J. Vaughn previously played a key role, and Season 3 will welcome veteran American actor Malik Yoba, known for roles in New York Undercover and Empire.
The Hollywood Standard, Made in Mzansi
American producer Samad Davis echoed Connie Ferguson’s sentiments, emphasizing that Kings of Joburg exemplifies Hollywood-level execution—right from South Africa. “Hollywood is not a destination, it’s a level of execution,” Davis said. “This is Hollywood. It’s not about making it to LA, it’s about doing great work where you are.”
Davis praised the local talent involved, noting that South African actors and crew members are proving themselves capable of delivering productions that can rival anything made abroad. “These actors can work anywhere on this planet and they are fantastic,” he added. “Just as much as we have rockstars on the show, there are other people working hard behind the scenes.”
Connie Ferguson’s leadership and vision are crucial to the success of Kings of Joburg. Her influence goes beyond the screen; she’s actively shaping the future of African storytelling through mentorship, strategic partnerships, and by setting an example for women in the entertainment industry.
As Kings of Joburg Season 3 gears up for its premiere, the buzz is undeniable. It’s more than just a continuation of a hit series—it’s a cultural statement. It proves that South Africa has the talent, the stories, and the capability to produce world-class content that resonates beyond its borders.
With Connie Ferguson at the helm, Kings of Joburg isn’t just entertaining—it’s historic.
Source – EWN
